Erin E. Maxwell

A dynamic, creative journalist, digital producer, digital marketing and social media manager, and creative strategist highly regarded for the development and execution of innovative content and successful campaigns for industry leaders including the LA Weekly, the Village Voice, Walt Disney Studios, and Variety. Entertainment industry veteran with experience in digital media strategy, journalism, graphic and media design, copywriting, social media, and tech operations.

Journalism • Copywriting • Graphic Design • Digital Marketing

A dynamic, creative journalist, copywriter, digital producer, digital marketing and social media manager, and creative strategist highly regarded for the development and execution of innovative content and successful campaigns for industry leaders including Walt Disney Studios and Variety. Entertainment industry veteran with experience in digital media strategy, digital marketing, journalism, graphic and media design, writing copy and articles, social media, and tech operations.

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LA Weekly •

UnBinged Review: Humanity Through a Robotic Lens in 'Murderbot' - LA Weekly

According to Isaac Asimov’s “Three Laws of Robotics,” a robot may not harm a human being through action or inaction, must obey human orders unless they conflict with the First Law, and must protect its own existence as long as it doesn’t violate the first two. Nowhere in these laws is there a clause preventing robots from judging humans for being selfish, narcissistic assholes unworthy of their own humanity, let alone the attention of superior beings like robots.
LA Weekly •

Review: 'Summer of 69' Is a Coming-Of-Age Tale Filled with Cringe, Crass and Sass - LA Weekly

For many Gen Xers, adulthood brought the surprising realization that Bryan Adams’ “Summer of ’69” wasn’t about nostalgic teen romance, but a sly nod to a sexual act. Considering Adams was only 10 in 1969, tales of drive-ins and girls were always more fantasy than fact. So it’s no surprise that Hulu’s crude coming-of-age comedy Summer of 69 (no apostrophe) leans into the innuendo rather than the era. Sam Morelos stars as Abby, a sheltered teen whose longtime crush, Max (Matt Cornett), is suddenl...

UnBinged: Apple TV+’s ‘The Studio’ Gives Hollywood Its Own Close-Up

There’s no business like show business — an undeniable truth, considering Hollywood’s endless fascination with telling stories about itself. Enter ride-or-die duo Seth Rogen and Evan Goldberg, who join the tradition with their latest Apple TV+ venture The Studio, a satirical takedown on the industry eager to make a film about Jenga or Kool-Aid before it will even consider a profound cinematic masterpiece with zero brand recognition.
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