Erin E. Maxwell

A dynamic, creative journalist, digital producer, digital marketing and social media manager, and creative strategist highly regarded for the development and execution of innovative content and successful campaigns for industry leaders including the LA Weekly, the Village Voice, Walt Disney Studios, and Variety. Entertainment industry veteran with experience in digital media strategy, journalism, graphic and media design, copywriting, social media, and tech operations.

Journalism • Copywriting • Graphic Design • Digital Marketing

A dynamic, creative journalist, copywriter, digital producer, digital marketing and social media manager, and creative strategist highly regarded for the development and execution of innovative content and successful campaigns for industry leaders including Walt Disney Studios and Variety. Entertainment industry veteran with experience in digital media strategy, digital marketing, journalism, graphic and media design, writing copy and articles, social media, and tech operations.

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LA Weekly •

UnBinged Review: 'The Better Sister' Struggles to Stand Out - LA Weekly

The story of a golden child is a tale as old as time, ever since Abel was the apple of Adam and Eve’s eye. Any classic sibling rivalry simmers with a mix of favoritism, resentment, division, and, for extra spice, a little shared trauma and jealousy. In The Better Sister, Amazon Prime serves up a drama between two siblings steeped in secrets and lies that ends with a murder. But the real question is: does it deliver?
The Village Voice •

‘Sirens’ Calls Forth Family Dysfunction in a World of Wealth - The Village Voice

Sisters Devon and Simone DeWitt aren’t exactly close these days. Ever since Simone scored a swanky gig as assistant to Michaela Kell, the activist wife of billionaire Peter Kell, she’s tossed her family on the back burner and effectively shut it off. Living on a luxurious compound surrounded by an army of staff bound by an iron-clad NDA, Simone has long forgotten her struggling sister, their ailing father, and everything having to do with their emotionally wrought upbringing.
LA Weekly •

UnBinged Review: Humanity Through a Robotic Lens in 'Murderbot' - LA Weekly

According to Isaac Asimov’s “Three Laws of Robotics,” a robot may not harm a human being through action or inaction, must obey human orders unless they conflict with the First Law, and must protect its own existence as long as it doesn’t violate the first two. Nowhere in these laws is there a clause preventing robots from judging humans for being selfish, narcissistic assholes unworthy of their own humanity, let alone the attention of superior beings like robots.
LA Weekly •

Review: 'Summer of 69' Is a Coming-Of-Age Tale Filled with Cringe, Crass and Sass - LA Weekly

For many Gen Xers, adulthood brought the surprising realization that Bryan Adams’ “Summer of ’69” wasn’t about nostalgic teen romance, but a sly nod to a sexual act. Considering Adams was only 10 in 1969, tales of drive-ins and girls were always more fantasy than fact. So it’s no surprise that Hulu’s crude coming-of-age comedy Summer of 69 (no apostrophe) leans into the innuendo rather than the era. Sam Morelos stars as Abby, a sheltered teen whose longtime crush, Max (Matt Cornett), is suddenl...
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